Film

Heavy-lift platforms capable of flying full cinema packages, including anamorphic, zoom and large-format spherical lenses

Inspire 3 aerial cinematography for fast, efficient shooting with a wide range of lens options

Aerial-specific stabilised systems designed for precise, repeatable camera movement in flight

Full lens control (focus, iris and zoom) for complete integration with the camera workflow

Remote camera control, including run/stop and in-flight adjustment of camera settings

Dual-operator setups for accurate, controlled framing and movement

Long-range 4K transmission for live monitoring by the DOP and director

Encrypted video links to ensure privacy and security on set

Built around what DOPs need

Aerial Craft is built around an understanding of how DOPs and directors want to work, both technically and creatively.

That includes:

Controlled, repeatable camera movement: delivering precision across multiple takes.
Precise framing and control: offering full lens and camera control to maintain the visual intent.
Rapid interpretation: the ability to interpret the brief quickly and deliver exactly what is needed on set.
Professional integration: equipment and workflows that support professional camera and lens standards, ensuring seamless integration with the camera department.
Cinematic intent: movement that feels considered and purposeful, rather than generic.

Cinema-grade image capture

Controlled, repeatable movement

Heavy-lift capability for full camera and lens packages

A strong understanding of production pace and workflow

Clear, collaborative work with DOPs and directors

Reliable operation under real on-set pressure

A focus on delivering shots that add scale, movement and new perspectives, while matching the tone and intent of the film

Heavy-lift platforms can carry full cinema camera packages, while Inspire 3 is also widely used for high-end film and drama work.

Yes. Repeatability is a key part of professional aerial cinematography, especially for film work.

We collaborate directly with the DOP and director to understand the visual intent of the shot movement, framing, lensing and tone.

Our role is to interpret that brief and deliver it aerially, in a way that integrates seamlessly with the wider cinematography.

Yes. We work closely with the camera department to ensure our movement and framing align with the wider production.